
I think (but I'm not sure) that the patterns of Islamic tiles often represent this constant expansion and contraction of the Presence - kind of like breathing.
I was trying to convey a sense of the Tzimtzum in my poem, Thou Godde. I think I managed to convey a sense of the Tzim, but less so the Tzum. I wanted to add something about returning to the source in a breath and then breathing out again, something that conveys the constant flow of inbreath and outbreath, always and everywhere. This poem that I wrote about the Grail almost conveys it, and perhaps this one, The hinge of the door, too. Also, this poem, Resonance (though with perhaps a little too much emphasis on a holistic perspective) was an attempt to convey a Taoist view of the constant dance of being and non-being.
I also want to write something about spirit of place, how the manifestation of spirit is different in different places, and has a distinct personality or identity (but is not a discrete entity).
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